I have called these courses ‘Desktop Colour Management’ as they can cover the use of colour management in the Adobe CS/CC suite, QuarkXPress and Enfocus Pitstop.

On refection, I think now may be the time to offer this course to agencies, graphic design companies, internal designers within corporates and print service providers, independent from a […]

When images are required for printed and other media we now all expect that a digital image will be supplied; from a photographer, client, picture library etc.

However many are still concerned that they do not view the images accurately on their computer screens. This makes any judgement of digital images very […]

Sadly it may have passed you by, but in October the BPIF released v2 of their ISO 12647 Colour Quality Management certification scheme.

But it is a very important and timely upgrade to the scheme that should be investigated. It incorporates the comments and suggestions from the many printers who have gone thought the […]

Where your workflow needs to touch your clients

This article is based on a presentation made by Paul Sherfield of the Missing Horse Consultancy at the Jet Set Conference in the Fespa 2013 exhibition held in June 2013 at Excel, London and an subsequent article published in FujiFilms PRINT! magazine.

Workflow and the files created to produce […]

Yes, yet another ‘buzz phase’ for the industry, this time in the colour management area.

 But this is an important one to understand and implement.

 Common colour appearance, as used in this instance is, in its broadest definition, defined as  images and pages will look the same across any media; print, web, mobile, broadcast etc.

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Well, yes, it was in many ways. Of course, it was called the ‘inkjet drupa’ and, for the first time, printers could actually buy a production B2 inkjet press, such as Fujifilm’s JetPress 720. While there were many other production digital B2 inkjet presses launched, most will not be available for at least 18 months […]

Firstly, what is a colour managed workflow? Most images are now digital. Gone is the comfort zone of a transparency viewed, assessed and selected using a light box.

So we can only use a digital colour management system to ensure that digital images are processed correctly through a prepress workflow. In this case by colour […]

The area of halftone screens, their types, technologies and ruling have long been associated with improving print quality. It was only 20 years ago when 200 dpi (dots per inch) AM screening was considered as a fine screen and quite difficult to print.

I guess I do not have to explain here what AM, […]